{"id":1981,"date":"2015-05-11T15:54:42","date_gmt":"2015-05-11T15:54:42","guid":{"rendered":"http:\/\/farnboroughjazz.co.uk\/?page_id=1981"},"modified":"2018-09-14T07:49:28","modified_gmt":"2018-09-14T07:49:28","slug":"millenium-eagle-jazz-band-friday-15th-may-2015","status":"publish","type":"page","link":"https:\/\/farnboroughjazz.co.uk\/?page_id=1981","title":{"rendered":"Millenium Eagle Jazz Band"},"content":{"rendered":"

The Millennium Eagle Jazz Band<\/strong> emerged as a direct result of the demise of the very popular Eagle Jazzband in 2005.\u00a0 Matt Palmer<\/strong> had recently folded his Millennium Jazz Band in order to join the Eagle, it was thought appropriate to include Millennium in the name of this new venture. The original Eagle Jazz Band in 1951 and continued to delight audiences\u00a0worldwide for an amazing fifty-four years, one of the oldest formed bands in the UK.<\/p>\n

The Millennium Eagle Jazz Band <\/strong>sports a healthy combination of youth and experience,\u00a0 Pete<\/strong> Brown<\/strong> (trumpet and valve trombone) and Brian Lawrence<\/strong> (bass and Sousaphone) were both long serving members of the Eagle Jazz Band after initially forging their musical partnership in the Potteries based Mardi Gras Society Band during the 1970s.\u00a0 Matt Palmer<\/strong> (clarinet & saxes) joined in 2004, having worked extensively with Pete at Alton Towers theme park in Staffordshire. Drummer, Jim Denham (<\/strong>replaced ‘Baby Jools’<\/strong> for a while), adding vigour to the engine room to allow the band to fire on all cylinders when required. However, ‘Baby Jools’<\/strong> has now re-joined fulltime, along with Chris Etherington <\/strong>(banjo) and Terry Williams <\/strong>(trombone). The collective experience amassed by the current line-up includes top UK theme parks, cruise liners, major UK and European Jazz Festivals and Radio and Television broadcasts. The wide repertoire is drawn from popular songs from the 1920s, 30s, and 40s; Classic Jazz compositions by King Oliver, Louis Armstrong, Jelly Roll Morton and Sydney Bechet plus New Orleans Marches, Rags, Stomps, Blues, Swing and instrumental features. Some band members are multi-instrumentalists, enabling us to play a variety of different sounds and styles, each\u00a0play in a happy, entertaining manner, many featuring\u00a0vocals.\u00a0 Whatever we\u00a0play, our major priority is to entertain the audience, but to always maintain a high standard of musicianship and presentation. The Millennium Eagle Jazz Band<\/strong> have made their mark in several UK jazz clubs and at society functions (where they are equally at home) and have a healthy diary for the coming months.\u00a0 The band are able to perform acoustically and therefore are suitable for outdoor events and for strolling.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
click on an image to enlarge<\/td>\n\n

Matt joined the Eagle Jazz Band in 2004. At age 47yrs, he is still considered one of the younger musicians playing traditional jazz in Britain today. He started learning clarinet at age fifteen, having become a keen jazz fan through listening to his father’s records. This included sessions from the 50’s and 60’s by Chris Barber, Alex Welsh and the Dutch Swing College Band. His first experience of playing jazz came in 1988 when he started to sit in with a few bands that played in pubs around the Nottingham area. In 1990 (at the age of twenty), Matt formed the ‘Knights of Jazz’ who enjoyed a great deal success in the early 1990’s. Matt’s full-time career in\u00a0music began in 1995, when he became a member of the resident jazz band at Alton Towers Theme Park, Staffordshire and became bandleader in his final season (1997). During his time there, he worked many of the Country\u2019s leading traditional jazz musicians including Pete Brown, Terry Brunt, Mike Dexter and Arthur Brown. When the theme park contract came to an end, Matt formed the Millennium Jazz Band, who became firm favourites in several leading jazz venues. Other activities have included several visits to Puerto de Mogan, Gran Canaria where Matt hosted star-studded jam sessions, featuring musicians appearing at the jazz festival held on the island. These sessions have included such notables as the late Kenny Baker and clarinet star Pete Allen.<\/p>\n<\/td>\n<\/tr>\n

\n

Matt Palmer\u00a0<\/strong> <\/span><\/h3>\n

Clarinet, Saxophones, \u00a0Vocals <\/strong><\/p>\n

\"MattPalmer\"<\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
\n

Peter Brown <\/span><\/h3>\n

Trumpet, Cornet, Valve Trombone, \u00a0Vocals <\/strong><\/p>\n

 <\/p>\n

\"PeteBrown<\/a><\/td>\n

Pete is a renowned Midlands musician having held the trumpet chair in the Eagle band since 1979. His musical career started in military service with the North Staffordshire Regiment. On his return to civilian life, he joined Stoke-on-Trent’s premier band, The Ceramic City Stompers. He then spread his wings to join the famous Manchester band, The Zenith Six. Five years later, he left to join the Old Fashioned Love band. In 1969, he decided to form his own band The Mardi Gras Society Jazz Band, which enjoyed great success throughout Europe, backing many famous visiting American jazz greats, including Bud Freeman, Gene Connors and Wild Bill Davidson. During his career he has also been band manager at the Alton Towers and American Adventure theme parks.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
\n

Terry Williams \u00a0<\/strong><\/span><\/h3>\n

Trombone, Vocals<\/strong><\/p>\n

 <\/p>\n

\"Terry<\/a> <\/strong><\/td>\n

Born 1942 at Evercreech, Somerset, a village staging post for many WW11 troops, including USA soldiers and their music on route to Europe. Terry grew up with local bands, playing drums and piano to that music. Jazz and Swing became firm favourites, drumming and piano at 5yrs and trombone at 12yrs, with the Wincanton Silver Youth Band. Teen years included singing and playing rock\u2019 n\u2019roll. At 16yrs, he was an original member of The Tone Valley Jazz band, Taunton and still is. His music has taken him to many parts of the world (USA, Denmark, Holland, Gran Canaria, France), playing with many bands, including, Beachcombers International, Heart of England, Phil Mason, Armada, Riverside, Guy Fenton, Blue Notes, Cass Casswell All Stars and many others. He has been on stage along-side Nat Gonnella, Kenny Baker, Don Lusher, Jack Parnell, Kenny Ball, Digby Fairweather and Beryl Bryden. In 1995 he played the New Orleans French Quarter Jazz Festival week with Acker Bilk and Tommy Burton, and the three of them led a band in Saturday\u2019s Big Parade. From 1982 to 92, he managed and played with the US 76th Army Band concerts in the UK. Now also playing vibes he looks forward to playing trombone, singing and giving much pleasure as part of The Millennium Eagle Jazz Band.<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
\n

\u00a0<\/span><\/h3>\n<\/td>\n

<\/td>\n<\/tr>\n
\n

Brian Lawrence<\/span>\u00a0\u00a0 \u00a0<\/strong><\/h3>\n

Double Bass,\u00a0 Sousaphone <\/strong><\/p>\n

\"BrianLawrence<\/a><\/td>\n

Brian started to play bass in small dance and Big bands, then Rock & Roll, onto skiffle, then an old time sequence band, which was the hardest working band he has ever played in.\u00a0 His first jazz band, The Three Spires Jazzmen, was in 1960, then on to the strangely named Duff Campbell’s Goodnight Band, where he first met Mike Turner. After this he joined the Zenith Hot Stompers, leaving them in 1971 to join Pete Browns Mardi Gras Society Jazz Band. When this band ceased in 1980, he renewed his ties with Mike Turner to form the band which has become Swing Parade. Then leaving in 1991 to join the Cutty Sark Band, which he left in 1996\u00a0to join the\u00a0Eagle Band<\/strong>.<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
\n

Chris Etherington \u00a0<\/strong><\/strong><\/span><\/h3>\n

Banjo, Vocals <\/strong><\/strong><\/p>\n

 <\/p>\n

\"ChrisEtherington<\/a><\/td>\n

\u00a0Chris has been in the Millennium Eagle since 2005.\u00a0 Fifty years ago, he followed the generational path from Lonnie Donegan to Chris Barber, then back to the Hot Fives, Morton, Bix, Oliver and Ellington. While running continuous successions of bands at Shrewsbury School (where he taught language’s), he joined the Severn-side Jazz Band in 1975 (and still runs it today.)\u00a0\u00a0Twenty-five\u00a0of the 30 Severnside years were spent in the company of pianist, Jon Penn and the late cornetist, Dick Wharton. So the repertoire was extensive and scholarly! Guests with the band during that time included Roy Williams, Digby Fairweather, John Barnes, Pat Halcox,\u00a0 Alex Revell\u00a0 both Masons (Rod & Phil!),\u00a0plus all the best known Midlands icons of the time. \u00a0Chris is grateful to all those banjoists who have promoted the instrument beyond its usual ‘plink-plink’ role – notably Johnny McCallum, Paul Seeley and ‘Gentleman’ Jim McIntosh and Thomas ‘Spats’ Langham,\u00a0 great role-models all.<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
\n

JULYAN ALDRIDGE<\/strong> ‘Baby Jools’\u00a0<\/strong><\/span><\/h3>\n

Drums<\/strong><\/p>\n

\"baby-jools-625616949\"<\/a><\/td>\n

\n

JULYAN ALDRIDGE<\/strong> was given the stage name of \u2018BABY\u2019 JOOLS<\/strong> by Max Collie (after famous drummer \u2018Baby\u2019 Dodds). Like Matt, Julyan enjoyed jazz listening to his father’s records. In fact, he began playing drums using the accompaniment of those records, at the young age of six! I\u2019m sure tons of mums remember those experiences \u2013 aye? However, not many six-year olds rose to the fantastic talent of Julyan\u2019s.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

The Millennium Eagle Jazz Band emerged as a direct result of the demise of the very popular Eagle Jazzband in 2005.\u00a0 Matt Palmer had recently folded his Millennium Jazz Band in order to join the Eagle, it was thought appropriate to include Millennium in the name of this new venture. The original Eagle Jazz Band […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1769,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"class_list":["post-1981","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/1981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1981"}],"version-history":[{"count":10,"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/1981\/revisions"}],"predecessor-version":[{"id":5502,"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/1981\/revisions\/5502"}],"up":[{"embeddable":true,"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/1769"}],"wp:attachment":[{"href":"https:\/\/farnboroughjazz.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}